Titles by Dodsley, Robert in CHICAGO format

Dodsley, Robert. A sketch of the miseries of poverty. London: Anne Dodd I, Elizabeth Nutt [Royal Exchange], Joseph Crichley, John Jolliffe, 1731.

Dodsley, Robert. The chronicle of the kings of England, written in the manner of the ancient Jewish historians. By Nathan Ben Saddi, a Priest of the Jews. Newport: 1744.

Knight, Henrietta, Robert Dodsley, William Shenstone, and Frances Seymour. Select letters between the late Duchess of Somerset, Lady Luxborough, Mr. Whistler, Miss Dolman, Mr. R. Dodsley, to William Shenstone, Esq. and others; including a sketch of the manners, laws, &c. of the Republic of Venice, and some poetical pieces; the whole now first published from original copies by Mr. Hull. In two volumes. London: James Dodsley, 1778.

Gay, John, Colley Cibber, George (. e. Colman, John Milton, John Hawkesworth, Charles Dibdin, Joseph Reed, George Villiers, Susannah M. A. Cibber, William Whitehead, Hugh Kelly, Henry Fielding, William Shakespeare, Isaac Jackman, Edward Ravenscroft, Arthur Murphy, David Garrick, Susanna Centlivre, Robert Dodsley, Kane O'Hara, Isaac Bickerstaff, and Samuel Foote. A collection of the most esteemed farces and entertainments performed on the British stage. A new edition. Edinburgh: Charles Elliot [Edin], 1786.

Dodsley, Robert. The Chronicle of the Kings of England, from the Norman Conquest to the Present Time. By R. Dodsley. A new edition enlarged. London: William Darton and Joseph Harvey [Gracechurch], George Cawthorn, Apollo Press, Elizabeth Newbery, Ann Vernor and Thomas Hood [Poultry], Lackington, Allen and Co., 1799.

Dodsley, Robert. The Chronicle of the Kings of England, from the Norman Conquest unto the Present Time. By R. Dodsley. A New Edition Enlarged. London: Ann Vernor and Thomas Hood [Poultry], Elizabeth Newbery, 1799.

Dodsley, Robert, Philip D. Stanhope, John Hill, George Horne, Anna L. Barbauld, and John Moir. The economy of human life. By Dodsley: A picture of the female character, as it ought to appear. By G. Horne, D.D. &c. New York: Elliot & Hunt, 1803.

Colman, George, (., e., John Hawkesworth, John Burgoyne, Kane O'Hara, Samuel Birch, John P. Kemble, George (. y. Colman, John Tobin, Isaac Bickerstaff, Richard B. Sheridan, Robert Dodsley, Frances Brooke, Isaac Jackman, David Garrick, Henry Fielding, Samuel Foote, Arthur Murphy, Stéphanie F. du Crest de Saint-Aubin, Elizabeth Inchbald, James Kenney, Hannah Cowley, Charles Macklin, August F. F. v. Kotzebue, Thomas Dibdin, John O'Keeffe, Robert Jephson, Thomas Knight, William Pearce, Prince Hoare, and Joseph Reed. A Collection of Farces and Other Afterpieces, which are acted at the Theatres-Royal, Drury-Lane, Covent-Garden, and Hay-Market. Printed under the authority of the manager from the prompt book: selected by Mrs. Inchbald. In seven volumes. London: Longman, Hurst, Rees, and Orme, 1809.

Burgoyne, John, Charles Macklin, Samuel Foote, James Townley, Kane O'Hara, Henry Carey, John Gay, Richard B. Sheridan, Richard Cumberland, Oliver Goldsmith, George (. e. Colman, Henry Fielding, Susanna Centlivre, Richard Steele, George Farquhar, Isaac Bickerstaff, Colley Cibber, John Vanbrugh, David Garrick, William Wycherley, Robert Howard, George Villiers, John Milton, Horace Walpole, Hall Hartson, Benjamin Franklin, Arthur Murphy, Robert Dodsley, John Home, John Brown, Henry Jones, Richard Glover, Edward Moore, William Mason, William Whitehead, Samuel Johnson, James Thomson, James Miller, Henry Brooke, William Havard, Aaron Hill, Benjamin Hoadly, George Lillo, Elijah Fenton, Edward Young, John Hughes, Ambrose Philips, Joseph Addison, Nicholas Rowe, William Congreve, Thomas Southerne, Thomas Otway, John Dryden, Nathaniel Lee, Philip Massinger, Francis Beaumont, John Fletcher, William Shakespeare, Ben Jonson, and Frances Brooke. The Modern British Drama. In five volumes. London: William Miller [Albemarle Street], 1811.

Pilon, Frederick, George (. e. Colman, Edward Moore, Robert Dodsley, Isaac Bickerstaff, David Garrick, Hugh Kelly, Oliver Goldsmith, Richard Steele, Colley Cibber, John Vanbrugh, John Home, George Lillo, Nicholas Rowe, and Frances Brooke. The English Drama Purified: Being a Specimen of Select Plays, in which all the passages that have appeared to the editor to be objectionable in point of morality, are omitted or altered. With prefaces and notes. By James Plumptre, B.D. Fellow of Clark-Hall, Cambridge. Cambridge: 1812.

Kemble, John, P., George (. y. Colman, John Tobin, Charles Dibdin, Samuel Foote, Robert Dodsley, and John Milton. A collection of farces and other afterpieces, which are acted at the Theatres-Royal, Drury-Lane, Covent-Garden, and Hay-Market. Printed under the authority of the managers from the prompt-book: selected by Mrs. Inchbald. In seven volumes. London: Longman, Hurst, Rees, Orme, and Brown, 1815.

Congreve, William, John Tobin, Aaron Hill, Robert Dodsley, Hugh Kelly, James Miller, Joseph G. Holman, William Shirley, James Thomson, Henry Jones, George (. y. Colman, John Hughes, William Whitehead, Robert Jephson, John Vanbrugh, Henry Brooke, Ambrose Philips, Richard Steele, George Lillo, John T. Allingham, John Burgoyne, Ben Jonson, Benjamin Hoadly, John P. Kemble, John Brown, James Cobb, John Milton, Thomas Southerne, Thomas Otway, Colley Cibber, Frederick Pilon, Thomas Holcroft, Susanna Centlivre, Samuel Birch, Nathaniel Lee, Charles Macklin, George Farquhar, Kane O'Hara, John Fletcher, Francis Beaumont, Edward Young, Elizabeth Inchbald, Samuel Foote, Edward Moore, Thomas Knight, Hannah Cowley, Joseph Addison, Arthur Murphy, Charles Dibdin, Nicholas Rowe, David Garrick, George (. e. Colman, Oliver Goldsmith, Richard Cumberland, Isaac Jackman, Matthew G. Lewis, Henry Fielding, Isaac Bickerstaff, Richard B. Sheridan, August F. F. v. Kotzebue, John Gay, James Townley, Andrew Cherry, Charles Coffey, Henry Carey, Philip Massinger, Francis Gentleman, Mr. O'Brien, Thomas Francklin, William T. Moncrieff, Benjamin Thompson, Miles P. Andrews, Thomas King, Sir H. B. Dudley, Henry Hartwell, and James C. Cross. The London Stage; a collection of the most reputed tragedies, comedies, operas, melo-dramas, farces, and interludes. Accurately printed from acting copies, as performed at the Theatres Royal, and carefully collated and revised. London: Giles Balne, 1824.