Titles by Dibdin, Charles in CHICAGO format
There are 6 titles associated with this person.
Gay,
John,
Colley
Cibber,
George
(.
e.
Colman,
John
Milton,
John
Hawkesworth,
Charles
Dibdin,
Joseph
Reed,
George
Villiers,
Susannah
M.
A.
Cibber,
William
Whitehead,
Hugh
Kelly,
Henry
Fielding,
William
Shakespeare,
Isaac
Jackman,
Edward
Ravenscroft,
Arthur
Murphy,
David
Garrick,
Susanna
Centlivre,
Robert
Dodsley,
Kane
O'Hara,
Isaac
Bickerstaff,
and Samuel
Foote.
A collection of the most esteemed farces and entertainments performed on the British stage. A new edition.
Edinburgh:
Charles Elliot [Edin],
1786.
Collier,
George,
John
T.
Allingham,
Joseph
Reed,
Isaac
Jackman,
Charles
Dibdin,
Frances
Brooke,
David
Garrick,
Edward
Ravenscroft,
Thomas
Knight,
Isaac
Bickerstaff,
Robert
Jephson,
Henry
Fielding,
Arthur
Murphy,
Samuel
J.
Arnold,
Richard
B.
Sheridan,
John
Burgoyne,
Charles
Macklin,
and Hannah
Cowley.
Cawthorn's Minor British Theatre. Consisting of the Most Esteemed Farces and Operas.
London:
John Cawthorn [Catherine Street],
1806.
Dibdin,
Charles.
Scales's Edition. A description of Harlequin in his Element, or Fire, Water, Earth, & Air. A new popular Pantomine, performing with universal applause, at Covent-Gardent Theatre.
London:
John Scales,
1806.
Kemble,
John,
P.,
George
(.
y.
Colman,
John
Tobin,
Charles
Dibdin,
Samuel
Foote,
Robert
Dodsley,
and John
Milton.
A collection of farces and other afterpieces, which are acted at the Theatres-Royal, Drury-Lane, Covent-Garden, and Hay-Market. Printed under the authority of the managers from the prompt-book: selected by Mrs. Inchbald. In seven volumes.
London:
Longman, Hurst, Rees, Orme, and Brown,
1815.
Fielding,
Henry,
William
Wycherley,
Nicholas
Rowe,
Benjamin
Hoadly,
Frances
Brooke,
Thomas
Knight,
Samuel
Foote,
Francis
Beaumont,
John
Fletcher,
Charles
Dibdin,
John
Vanbrugh,
Hannah
Cowley,
John
Home,
Kane
O'Hara,
Charles
Macklin,
Joseph
Addison,
George
Lillo,
John
P.
Kemble,
Sophia
Lee,
Edward
Moore,
Arthur
Murphy,
Philip
Massinger,
Richard
B.
Sheridan,
Richard
Cumberland,
Colley
Cibber,
Isaac
Bickerstaff,
George
(.
e.
Colman,
John
Gay,
William
Shakespeare,
Nathaniel
Lee,
Oliver
Goldsmith,
Thomas
Otway,
Susanna
Centlivre,
Matthew
G.
Lewis,
Thomas
Holcroft,
David
Garrick,
George
Farquhar,
Andrew
Cherry,
Ambrose
Philips,
Samuel
Beazley,
Daniel
Terry,
Isaac
Pocock,
Richard
L.
Sheil,
and C.
F.
Walker.
The English Drama, with prefatory remarks, biographical sketches, and notes, critical and explanatory; being the only edition existing which is faithfully marked with the stage business and stage directions, as performed at the Theatres Royal. Edited by W. Oxberry, Comedian.
London:
W. Simpkin and R. Marshall,
Clement Chapple [66 Pall Mall],
1818.
Congreve,
William,
John
Tobin,
Aaron
Hill,
Robert
Dodsley,
Hugh
Kelly,
James
Miller,
Joseph
G.
Holman,
William
Shirley,
James
Thomson,
Henry
Jones,
George
(.
y.
Colman,
John
Hughes,
William
Whitehead,
Robert
Jephson,
John
Vanbrugh,
Henry
Brooke,
Ambrose
Philips,
Richard
Steele,
George
Lillo,
John
T.
Allingham,
John
Burgoyne,
Ben
Jonson,
Benjamin
Hoadly,
John
P.
Kemble,
John
Brown,
James
Cobb,
John
Milton,
Thomas
Southerne,
Thomas
Otway,
Colley
Cibber,
Frederick
Pilon,
Thomas
Holcroft,
Susanna
Centlivre,
Samuel
Birch,
Nathaniel
Lee,
Charles
Macklin,
George
Farquhar,
Kane
O'Hara,
John
Fletcher,
Francis
Beaumont,
Edward
Young,
Elizabeth
Inchbald,
Samuel
Foote,
Edward
Moore,
Thomas
Knight,
Hannah
Cowley,
Joseph
Addison,
Arthur
Murphy,
Charles
Dibdin,
Nicholas
Rowe,
David
Garrick,
George
(.
e.
Colman,
Oliver
Goldsmith,
Richard
Cumberland,
Isaac
Jackman,
Matthew
G.
Lewis,
Henry
Fielding,
Isaac
Bickerstaff,
Richard
B.
Sheridan,
August
F.
F.
v.
Kotzebue,
John
Gay,
James
Townley,
Andrew
Cherry,
Charles
Coffey,
Henry
Carey,
Philip
Massinger,
Francis
Gentleman,
Mr.
O'Brien,
Thomas
Francklin,
William
T.
Moncrieff,
Benjamin
Thompson,
Miles
P.
Andrews,
Thomas
King,
Sir
H.
B.
Dudley,
Henry
Hartwell,
and James
C.
Cross.
The London Stage; a collection of the most reputed tragedies, comedies, operas, melo-dramas, farces, and interludes. Accurately printed from acting copies, as performed at the Theatres Royal, and carefully collated and revised.
London:
Giles Balne,
1824.