There are 3 titles associated with this person.

King, Thomas. Love at first sight: a ballad farce, of two acts. As performed at the Theatre-Royal in Drury-Lane. Dublin: Elizabeth Watts [m. Lynch in 1768], John Exshaw I [Dame Street], Samuel Price [Dame Street], William Sleater I [Cork Hill], Hulton Bradley, James Potts, Samuel Watson [Dame Street], John Mitchell I [Sycamore Alley], Ann Leathley, Peter Wilson [Dame St, 1748–66], 1763.
King, Thomas. Like master, like man. A comedy of two acts. Alter'd from Sir John Vanbrugh. As perform'd at the Theatre, in Smock-Alley. Dublin: Peter Wilson [Dame St, 1748–66], John Exshaw I [Dame Street], Henry Saunders [Castle Street], Elizabeth Watts [m. Lynch in 1768], 1766.
Congreve, William, John Tobin, Aaron Hill, Robert Dodsley, Hugh Kelly, James Miller, Joseph G. Holman, William Shirley, James Thomson, Henry Jones, George (. y. Colman, John Hughes, William Whitehead, Robert Jephson, John Vanbrugh, Henry Brooke, Ambrose Philips, Richard Steele, George Lillo, John T. Allingham, John Burgoyne, Ben Jonson, Benjamin Hoadly, John P. Kemble, John Brown, James Cobb, John Milton, Thomas Southerne, Thomas Otway, Colley Cibber, Frederick Pilon, Thomas Holcroft, Susanna Centlivre, Samuel Birch, Nathaniel Lee, Charles Macklin, George Farquhar, Kane O'Hara, John Fletcher, Francis Beaumont, Edward Young, Elizabeth Inchbald, Samuel Foote, Edward Moore, Thomas Knight, Hannah Cowley, Joseph Addison, Arthur Murphy, Charles Dibdin, Nicholas Rowe, David Garrick, George (. e. Colman, Oliver Goldsmith, Richard Cumberland, Isaac Jackman, Matthew G. Lewis, Henry Fielding, Isaac Bickerstaff, Richard B. Sheridan, August F. F. v. Kotzebue, John Gay, James Townley, Andrew Cherry, Charles Coffey, Henry Carey, Philip Massinger, Francis Gentleman, Mr. O'Brien, Thomas Francklin, William T. Moncrieff, Benjamin Thompson, Miles P. Andrews, Thomas King, Sir H. B. Dudley, Henry Hartwell, and James C. Cross. The London Stage; a collection of the most reputed tragedies, comedies, operas, melo-dramas, farces, and interludes. Accurately printed from acting copies, as performed at the Theatres Royal, and carefully collated and revised. London: Giles Balne, 1824.