Titles by Garrick, David in MLA format
There are 20 titles associated with this person.
Garrick, David.
The Male-Coquette: or, Seventeen Hundred-Fifty-Seven. In two acts. As it is performed at the Theatre-Royal in Drury-Lane.
Dublin:
George and Alexander Ewing,
George Faulkner I [Essex Street],
James Hoey, Junior [Skinner Row],
John Exshaw I [Dame Street],
Alice James,
Richard Smith,
1758.
Garrick, David.
Lethe. A dramatic satire: with the additional character of Lord Chalkstone. As it is performed at the Theatre-Royal, in Drury-Lane. The sixth edition. By David Garrick, Esq.
Dublin:
George and Alexander Ewing,
George Faulkner I [Essex Street],
James Hoey, Junior [Skinner Row],
Hulton Bradley,
John Exshaw I [Dame Street],
Alice James,
1759.
Garrick, David.
Lethe. A dramatic satire: with the additional character of Lord Chalkstone. As it is performed at the Theatre-Royal, in Drury-Lane. The sixth edition. By David Garrick, Esq.
Dublin:
George and Alexander Ewing,
George Faulkner I [Essex Street],
James Hoey, Junior [Skinner Row],
Abraham Bradley [Dame Street],
John Exshaw I [Dame Street],
Alice James,
1759.
Colman, George (the elder) and David Garrick.
The clandestine marriage, a comedy. As it is acted at the Theatre-Royal in Drury-Lane. By George Colman and David Garrick.
Dublin:
Ann Leathley,
James Hoey, Senior,
Peter Wilson [Dame St, 1748–66],
John Exshaw I [Dame Street],
Elizabeth Watts [m. Lynch in 1768],
Henry Saunders [Castle Street],
James Hoey, Junior [Parliament Street],
William Sleater I [Cork Hill],
Samuel Watson [Dame Street],
1766.
Ramsay, Allan, et al.
The Theatre: or, Select Works of the British Dramatic Poets. In twelve volumes. To which are prefixed, the lives of these celebrated writers, and strictures on most of the plays.
Edinburgh:
Martin & Wotherspoon,
1768.
Lillo, George, et al.
The New English Theatre in Twelve Volumes, containing the most valuable plays which have been acted on the London stage.
London:
John Rivington and Sons [or J. F. and C. Rivington],
James Dodsley,
George Robinson [ii],
Thomas Cadell [London],
Thomas Longman II,
Samuel Bladon [Paper Mill, Paternoster Row],
William Nicoll,
Thomas Becket [Strand],
Thomas Davies [Russell Street],
Robert Baldwin I,
Thomas Lowndes [77 Fleet Street],
Bedwell Law [13 Ave Maria Lane, 1767-1790, 1794-1795],
Charles Bathurst [26 Fleet Street],
William Johnston [Ludgate Street],
William Flexney [319 Holborn],
James Robson,
William Owen,
Thomas Caslon,
William Strahan,
William Woodfall,
Robert Horsfield,
William Owen and Son,
Benjamin White,
Edward Dilly,
James Barker [Drury Lane],
Lockyer Davis [High Holborn],
1776.
Garrick, David.
The winter's tale, or Florizel and Perdita. A dramatic pastoral, altered from Shakspeare, by David Garrick, Esq. Marked with the variations in the manager's book, at the Theatre-Royal in Drury-Lane.
Charles Bathurst [26 Fleet Street],
1785.
Gay, John, et al.
A collection of the most esteemed farces and entertainments performed on the British stage. A new edition.
Edinburgh:
Charles Elliot [Edin],
1786.
Johnson, Samuel, et al.
Bell's British Theatre. Consisting of the Most Esteemed English Plays.
London:
John Bell [90 Strand],
George Cawthorn, Apollo Press,
1797.
Collier, George, et al.
Cawthorn's Minor British Theatre. Consisting of the Most Esteemed Farces and Operas.
London:
John Cawthorn [Catherine Street],
1806.
Garrick, David, et al.
The country girl, a comedy, in five acts. Altered from Wycherly's Country wife, by David Garrick, Esq. As performed at the theatres, Drury-Lane and New-York. With remarks, by Mrs. Inchbald.
New York:
David Longworth,
1806.
Addison, Joseph, et al.
The British Theatre; or, A collection of plays, which are acted at the Theatres Royal, Drury Lane, Covent Garden, and Haymarket. Printed under the authority of the managers from the prompt books. With critical and biographical remarks, by Mrs. Inchbald. In twenty-five volumes.
London:
Longman, Hurst, Rees, and Orme,
1808.
Colman, George (the elder), et al.
A Collection of Farces and Other Afterpieces, which are acted at the Theatres-Royal, Drury-Lane, Covent-Garden, and Hay-Market. Printed under the authority of the manager from the prompt book: selected by Mrs. Inchbald. In seven volumes.
London:
Longman, Hurst, Rees, and Orme,
1809.
Sheridan, Frances Chamberlaine, et al.
English Comedy: A Collection of the Most Celebrated Dramas, Since the Commencement of the Reformation of the Stage by Sir Richard Steele and Colley Cibber.
London:
John Sharpe [Piccadilly],
1810.
Burgoyne, John, et al.
The Modern British Drama. In five volumes.
London:
William Miller [Albemarle Street],
1811.
Pilon, Frederick, et al.
The English Drama Purified: Being a Specimen of Select Plays, in which all the passages that have appeared to the editor to be objectionable in point of morality, are omitted or altered. With prefaces and notes. By James Plumptre, B.D. Fellow of Clark-Hall, Cambridge.
Cambridge:
1812.
Fielding, Henry, et al.
The English Drama, with prefatory remarks, biographical sketches, and notes, critical and explanatory; being the only edition existing which is faithfully marked with the stage business and stage directions, as performed at the Theatres Royal. Edited by W. Oxberry, Comedian.
London:
W. Simpkin and R. Marshall,
Clement Chapple [66 Pall Mall],
1818.
Congreve, William, et al.
The London Stage; a collection of the most reputed tragedies, comedies, operas, melo-dramas, farces, and interludes. Accurately printed from acting copies, as performed at the Theatres Royal, and carefully collated and revised.
London:
Giles Balne,
1824.
Shakespeare, William, et al.
Cumberland's British Theatre, with remarks, biographical and critical. Printed from the acting copies, as performed at the Theatres Royal, London.
London:
John Cumberland [19 Ludgate Hill],
1829.