Titles by Lewis, Matthew Gregory in MLA format
There are 16 titles associated with this person.
Lewis, Matthew Gregory.
Crazy Jane a favorite song the words by Mr. Lewis Esqr. Set to music by Miss Abrams.
Philadelphia:
1800.
Williams, Helen Maria, et al.
The History of Perourou, the Bellows-Mender. With Other Amusing and Instructive Histories.
Baltimore:
G. Douglas,
1802.
Naubert, Christiana Benedicta Eugenie.
Feudal Tyrants; or, The Counts of Carlsheim and Sargans. A Romance. Taken from the German. In Four Volumes. By M. G. Lewis, author of The Bravo of Venice, Adelgitha, Rugantino, &c.
London:
James Fletcher Hughes [Wigmore Street],
1806.
Opie, Amelia.
A Collection of Melodies, Chiefly Russian Harmonized, and Arranged for the Voice, with an Accompaniment for the Piano Forte or Harp, the Words Written to Them by Mrs. Opie, to Which Is Added the Cossack, a Favorite Ballad from the Ukranian, by M. G. Lewis Esqre.
London:
1807.
Naubert, Christiana Benedicta Eugenie.
Feudal Tyrants; or, The Counts of Carlsheim and Sargans. A Romance. Taken from the German. In four volumes. By M. G. Lewis, author of The Bravo of Venice, Adelgitha, Rugantino, &c. Second edition.
London:
James Fletcher Hughes [Wigmore Street],
1807.
Naubert, Christiana Benedicta Eugenie.
Feudal Tyrants; or, The Counts of Carlsheim and Sargans. A Romance. Taken from the German. In four volumes. By M. G. Lewis, author of The Bravo of Venice, Adelgitha, Rugantino, &c. Third edition.
London:
James Fletcher Hughes [Wigmore Street],
1807.
Jordan, Dorothy and Matthew Gregory Lewis.
The blue bells of Scotland; together with Crazy Jane.
Massachusetts:
1810.
Leigh, Richard, et al.
The English and American stage. Longworth's edition.
New York:
David Longworth,
1810.
Lewis, Matthew Gregory and Joanna Baillie.
The English and American stage. Volume XXXVI. Contains ... : A complete table of contents is placed at the end of every ten volumes. Longworth's edition.
New York:
David Longworth,
1810.
Fielding, Henry, et al.
The English Drama, with prefatory remarks, biographical sketches, and notes, critical and explanatory; being the only edition existing which is faithfully marked with the stage business and stage directions, as performed at the Theatres Royal. Edited by W. Oxberry, Comedian.
London:
W. Simpkin and R. Marshall,
Clement Chapple [66 Pall Mall],
1818.
Congreve, William, et al.
The London Stage; a collection of the most reputed tragedies, comedies, operas, melo-dramas, farces, and interludes. Accurately printed from acting copies, as performed at the Theatres Royal, and carefully collated and revised.
London:
Giles Balne,
1824.
Shakespeare, William, et al.
Cumberland's British Theatre, with remarks, biographical and critical. Printed from the acting copies, as performed at the Theatres Royal, London.
London:
John Cumberland [19 Ludgate Hill],
1829.
Addison, Joseph, et al.
The Young Ladies' Class Book; a Selection of Lessons for Reading, in Prose and Verse. By Ebenezer Bailey, Principal of the Young Ladies' High School, Boston.
Boston:
Lincoln & Edmands,
Benjamin Collins and Samuel Hannay,
Key and Meilke,
Cushing and Sons,
1831.
Addison, Joseph, et al.
The Young Ladies' Class Book; a Selection of Lessons for Reading, in Prose and Verse. By Ebenezer Bailey, Principal of the Young Ladies' High School, Boston.
Boston:
Lincoln & Edmands,
Benjamin Collins and Samuel Hannay,
Key and Meilke,
Cushing and Sons,
1832.
Barbauld, Anna Laetitia, et al.
The Young Ladies' Class Book; a Selection of Lessons for Reading, in Prose and Verse. By Ebenezer Bailey, Principal of the Young Ladies' High School, Boston. Stereotype Edition.
Boston:
Benjamin Collins and Samuel Hannay,
Gould, Kendall, and Lincoln,
N. and J. White,
Bennett & Bright,
Grigg and Elliot,
Henry Perkins,
Cushing and Sons,
E. F. Duren,
Edward J. Lane,
1835.