Titles by Carey, Henry in CHICAGO format

There are 15 titles associated with this person.

Carey, Henry. A pindaric ode dedicated to the lasting memory of the most illustrious and pious King William III. the most renowned monarch of Great-Britain, &c. as it relates unto the occasion of his famous expedition into England, his excellent reign, his illustrious character, and his most lamented death. And likewise unto his most virtuous and pious successor, Queen Anne. London: Abigail (Ann) Baldwin [Warwick Lane], 1702.
Carey, Henry. A learned dissertation on dumpling; its dignity, antiquity, and excellence. With a word upon pudding. And Many other Useful Dicoveries, of great Benefit to the Publick. To which is added, Namby pamby; a panegyric on the new versification address'd to A- P- Esq; the Sixth Edition. London: James Roberts [Warwick Lane], 1726.
Carey, Henry. A learned dissertation on dumpling; Its dignity, antiquity, and excellence. With a word upon pudding. And many other useful discoveries, of great benefit to the publick. The Fourth Edition. London: James Roberts [Warwick Lane], 1726.
Carey, Henry. A learned dissertation on dumpling; its dignity, antiquity, and excellence. With a word upon pudding. And many other useful discoveries, of great benefit to the publick. The Third Edition. London: James Roberts [Warwick Lane], 1726.
Carey, Henry. A learned dissertation on dumpling; its dignity, antiquity, and excellence. With a word upon pudding. And many other useful discoveries, of great benefit to the publick. To which is added, Namby pamby; a panegyric on the new versification address'd to A- P- Esq; The Fifth Edition. London: James Roberts [Warwick Lane], 1726.
Carey, Henry. Mocking is catching, or, a pastoral lamentation for the loss of a man and no man. In the simple stile. By the author of Namby Pamby. London: Nicholas Blandford, 1726.
Carey, Henry. A learned dissertation on dumpling: its dignity, antiquity, and excellence. With a word upon pudding. And Many other Useful Discoveries, Of great Benefit to the Publick. To which is added, Namby pamby: a panegyric on the new versification, address'd to A- P- Esq; The Seventh Edition. London: Thomas Worral, 1727.
Carey, Henry. Pudding and dumpling burnt to pot. Or, a compleat key to the dissertation on dumpling. Wherein all the mystery of that dark treatise is brought to light; in such a manner and method, that the meanest capacity may know who and who's together. Published for the general information of mankind. By J. W. author of 684 treatises. London: 1727.
Carey, Henry. A learned dissertation on dumpling: its dignity, antiquity, and excellence. With a word upon pudding. ... To which is added, Namby pamby: a panegyric on the new versification, address'd to A- P- Esq; The Seventh Edition. London: Thomas Worral, 1728.
Carey, Henry. Blunderella: or, the impertinent. A tale. To which is added The beau monde, or, the pleasures of St. James's. A new ballad. To the Tune of, Oh! London, is a fine Town, &c. London: Anne Dodd I, 1730.
Carey, Henry. Blundrella: or, the impertinent. A tale. To which is added The beau monde, or, the pleasures of St. James's. A new ballad. To the Tune of, Oh! London, is a fine Town, &c. The Second Edition. London: Anne Dodd I, 1730.
Carey, Henry. The tragedy of Chrononhotonthologos: being the most tragical tragedy, that ever was tragediz'd by any company of tragedians. Written by Benjamin Bounce, Esq; London: John Shuckburgh, Lawton Gilliver, John Jackson, 1734.
Carey, Henry. Of stage tyrants. An epistle to the Right Honourable Philip Earl of Chesterfield. Occasion'd by the Honest Yorkshire-Man being rejected at Drury-Lane Play-House, and since Acted at other Theatres with Universal Applause. By Mr. Carey. London: John Shuckburgh, Lawton Gilliver, James Leake I, John Jackson, 1735.
Burgoyne, John, Charles Macklin, Samuel Foote, James Townley, Kane O'Hara, Henry Carey, John Gay, Richard B. Sheridan, Richard Cumberland, Oliver Goldsmith, George (. e. Colman, Henry Fielding, Susanna Centlivre, Richard Steele, George Farquhar, Isaac Bickerstaff, Colley Cibber, John Vanbrugh, David Garrick, William Wycherley, Robert Howard, George Villiers, John Milton, Horace Walpole, Hall Hartson, Benjamin Franklin, Arthur Murphy, Robert Dodsley, John Home, John Brown, Henry Jones, Richard Glover, Edward Moore, William Mason, William Whitehead, Samuel Johnson, James Thomson, James Miller, Henry Brooke, William Havard, Aaron Hill, Benjamin Hoadly, George Lillo, Elijah Fenton, Edward Young, John Hughes, Ambrose Philips, Joseph Addison, Nicholas Rowe, William Congreve, Thomas Southerne, Thomas Otway, John Dryden, Nathaniel Lee, Philip Massinger, Francis Beaumont, John Fletcher, William Shakespeare, Ben Jonson, and Frances Brooke. The Modern British Drama. In five volumes. London: William Miller [Albemarle Street], 1811.
Congreve, William, John Tobin, Aaron Hill, Robert Dodsley, Hugh Kelly, James Miller, Joseph G. Holman, William Shirley, James Thomson, Henry Jones, George (. y. Colman, John Hughes, William Whitehead, Robert Jephson, John Vanbrugh, Henry Brooke, Ambrose Philips, Richard Steele, George Lillo, John T. Allingham, John Burgoyne, Ben Jonson, Benjamin Hoadly, John P. Kemble, John Brown, James Cobb, John Milton, Thomas Southerne, Thomas Otway, Colley Cibber, Frederick Pilon, Thomas Holcroft, Susanna Centlivre, Samuel Birch, Nathaniel Lee, Charles Macklin, George Farquhar, Kane O'Hara, John Fletcher, Francis Beaumont, Edward Young, Elizabeth Inchbald, Samuel Foote, Edward Moore, Thomas Knight, Hannah Cowley, Joseph Addison, Arthur Murphy, Charles Dibdin, Nicholas Rowe, David Garrick, George (. e. Colman, Oliver Goldsmith, Richard Cumberland, Isaac Jackman, Matthew G. Lewis, Henry Fielding, Isaac Bickerstaff, Richard B. Sheridan, August F. F. v. Kotzebue, John Gay, James Townley, Andrew Cherry, Charles Coffey, Henry Carey, Philip Massinger, Francis Gentleman, Mr. O'Brien, Thomas Francklin, William T. Moncrieff, Benjamin Thompson, Miles P. Andrews, Thomas King, Sir H. B. Dudley, Henry Hartwell, and James C. Cross. The London Stage; a collection of the most reputed tragedies, comedies, operas, melo-dramas, farces, and interludes. Accurately printed from acting copies, as performed at the Theatres Royal, and carefully collated and revised. London: Giles Balne, 1824.