Theory on the Classification of Beauty and Deformity, and their Correspondence with Physiognomic Expression, Exemplified in Various Works of Art, and Natural Objects, and Illustrated with Four General Charts, and Thirty-Eight Copper Plates. By Mary Anne Shimmelpenninck, Author of "A Tour to Alet".
Cite this Page
Schimmelpenninck, Mary Anne. Theory on the Classification of Beauty and Deformity, and their Correspondence with Physiognomic Expression, Exemplified in Various Works of Art, and Natural Objects, and Illustrated with Four General Charts, and Thirty-Eight Copper Plates. By Mary Anne Shimmelpenninck, Author of "A Tour to Alet".The Women's Print History Project, 2019, title ID 87, https://womensprinthistoryproject.com/title/87. Accessed 2024-11-22.
Schimmelpenninck, Mary Anne. Theory on the Classification of Beauty and Deformity, and their Correspondence with Physiognomic Expression, Exemplified in Various Works of Art, and Natural Objects, and Illustrated with Four General Charts, and Thirty-Eight Copper Plates. By Mary Anne Shimmelpenninck, Author of "A Tour to Alet". London: John and Arthur Arch [Cornhill], 1815.
Schimmelpenninck , M.A. (1815). Theory on the classification of beauty and deformity, and their correspondence with physiognomic expression, exemplified in various works of art, and natural objects, and illustrated with four general charts, and thirty-eight copper plates. by mary anne shimmelpenninck, author of "a tour to alet". London: John and Arthur Arch [Cornhill]
Schimmelpenninck, Mary A. Theory on the Classification of Beauty and Deformity, and their Correspondence with Physiognomic Expression, Exemplified in Various Works of Art, and Natural Objects, and Illustrated with Four General Charts, and Thirty-Eight Copper Plates. By Mary Anne Shimmelpenninck, Author of "A Tour to Alet". London: John and Arthur Arch [Cornhill], 1815.
@book{ wphp_87 author={Schimmelpenninck,Mary Anne}, year={1815}, title={Theory on the Classification of Beauty and Deformity, and their Correspondence with Physiognomic Expression, Exemplified in Various Works of Art, and Natural Objects, and Illustrated with Four General Charts, and Thirty-Eight Copper Plates. By Mary Anne Shimmelpenninck, Author of "A Tour to Alet".}, publisher={John and Arthur Arch [Cornhill]}, address={London}, }
Suggestions and Comments for Theory on the Classification of Beauty and Deformity, and their Correspondence with Physiognomic Expression, Exemplified in Various Works of Art, and Natural Objects, and Illustrated with Four General Charts, and Thirty-Eight Copper Plates. By Mary Anne Shimmelpenninck, Author of "A Tour to Alet".